This series is a work documenting the input light sources of handheld scanner and flatbed scanner. The crumpled iridescent cellophane is inserted between the two lights to visualize the information of light itself. A unique color appears that can only be created by the scanner's light reflected on iridescent cellophane. In the first version of this series, the artist used the crumpled transparent cellophane between the two scanner's lights. In this work, Koyama explored possibility to update the history of abstract photography whose major motif of the physical objects and phenomena has changed to be the light in this digital device era.